徐芃 副教授

2003-2014   芝加哥大学东亚语⾔与⽂明系，博士

1999-2002   北京大学中国语⾔与⽂学系，硕士

1995-1999   北京大学中国语言与文学系，学士

2020-2023   夏威夷⼤学马诺阿分校，助理教授

2016-2019  索斯莫学院，助理教授

2014-2016  弗吉尼亚军事学院，助理教授

2013-2014   罗格斯大学，全职讲师

致力于用跨学科方法研究中国戏剧和古代女性文学，探索文学史、文化史、艺术史、声音研究等学科的交叉融合。在人文科学研究院开设“昆曲文本与艺术”等课程。

下载链接

“Editing Pipa ji for Late-Ming Popular Theater: The Identity of the ‘Singing Hermit’ and His EditorialWork” in Late Imperial China, vol. 41.1, Jun. 2020, 159-201.

“Hearing the Opera: ‘Teahouse Mimesis’ and the Aesthetics of Noise in Early Jingju Recordings, 1890s–1910s” in Peng Xu and Margaret Wan eds., CHINOPERL: Journal of Chinese Oral and Performing Literature  (2017:36.1), 1-21.  

“The Music Teacher: The Professionalization of Singing and the Development of Erotic Vocal Style during Late Ming China” in Harvard Journal of Asiatic Studies (2015:2), vol. 75, 259-97. 

*中⽂翻译见徐永明等主编，《英语世界中的古典戏曲论著》 (杭州: 浙江⼤学出版社, 2018.)

“Courtesan vs. Literatus: Gendered Soundscapes and Aesthetics in Late Ming Singing Culture” in T’oung Pao: International Journal of Chinese Studies (2014:4/5), vol. 100, 399-450.